Indie Exclusive Releases

The fictional band from the NBC series Parks & Recreation is finally getting their due with a new album set to arrive on Aug. 27. And to mark the 10th anniversary of their Pawnee reunion performance where they debuted "5,000 Candles in the Wind" after the death of town mascot Lil' Sebastian, a new video and digital release for the song has arrived.

Led by Andy Dwyer, who previously fronted A.D and the D Bags, The Andy Andy Andies, Andy Dwyer Experience, Angelsnack, Crackfinger, Death of a Scam Artist, Department of Homeland Obscurity, Everything Rhymes with Orange, Fiveskin, Flames for Flames, Fleetwood Mac Sexpants, Fourskin, God Hates Figs, Handrail Suicide, Jet Black Pope, Just The Tip, Malice in Chains, Muscle Confusion, Ninjadick, Nothing Rhymes with Blorange, Nothing Rhymes with Orange, Penis Pendulum, Possum Pendulum, Punch Face Champions, Puppy Pendulum, Radwagon, Razordick, Scrotation Marks, Tackleshaft, Teddy Bear Suicide, Threeskin, Two Doors Down and Scarecrow Boat, the group is finally issuing their debut album.

The buzz from Mouse Rat’s performances at Pawnee’s Snakehole Lounge led to Dualtone’s partnership with Entertainment 720 co-founder and Snakehole Lounge part owner Tom Haverford. “Any creative business coming out of Pawnee is tied to Haverford” said Dualtone President Paul Roper, “From Rent-a-Swag to Tommy Fresh cologne and Tom’s Bistro, not to mention his business ideas not yet formed like the scented phone, talking tissues, contact lenses that display text messages and the glitter-infused laundry detergent Sparkle Suds, partnering with Entertainment 720’s hype machine was essential. The man is an idea factory.”

Roper continues, “This is about the team as much as it is the music. Andy’s wife and manager April Ludgate Dwyer is a marketing genius. Selling CDs at the Parks and Recreation shoeshine stand for $18 each, $40 for the set?? I don’t know anyone else who could pull that off.”

Mouse Rat's The Awesome Album will feature guest turns by Duke Silver and Land Ho!. The album will be available via Dualtone in partnership with Entertainment 20.

Single LP on orange vinyl in same jacket as standard LP w/ plain-sleeve CD of bonus tracks & 24” x 24” folded poster insert. Full album download included. Ltd edition. Indie Only.

From Mac McCaughan of Superchunk: To write the songs for Here's to Shutting Up, we gathered in Jim's garage (he lived way out in the woods) a couple times a week for what seemed like months. We started from actual scratch with no demos or concepts, just playing instrumental music with our usual gear plus a Casio. We recorded the album in the Cabbagetown neighborhood of Atlanta at Zero Return, the studio built by Brian and Rob (aka Birdstuff and Coco the Electronic Monkey Wizard) of Man or Astro-man? Brian Paulson came with us to produce it.Here's to Shutting Up was meant to be released on September 18, 2001. On September 11, the world changed. Our release date moved a couple weeks, but our tour dates remained and we flew to Japan in October. It was a WILD time to be traveling the world. Receptions ranged from "thank you for giving us something else to think about" to "why are you here?" We flew home from Japan and left for the UK the day the US started bombing Afghanistan. This was the climate, and the climate was not great for playing rock music.

“Devolution Series #2 - Galactic Quarantine” was recorded between July and September 2020 in various places around the world. Originally streamed on September 5th, 2020 on StageIt.com as a replacement show for the COVID affected “Empath Vol 2 European Tour” and various cancelled Summer festivals. The show features Devin on vocals and guitars, Samus Paulicelli III on drums, Wes Hauch on guitars and Diego Tejeida on keys.

On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem. 

Melodies roll with the fizz and charm of Jacno and phrases repeated are electric torchlight ballads sung after hours in William Gibson’s San Francisco. ‘Somewhere’ opens in sombre herald, before dropping into a fast freeway tempo; the glassy synths and crisp beats cut through the anxious moods on ‘Bodies’ and ‘Try’ sits in a lineage with cult bands like Asylum Party. ‘The Garden’ is a journey through a post-apocalyptic cityscape, earthed by the pulse of a drum machine whereas ‘Ship To Shore’ could be a lost Oppenheimer Analysis B-side, and the album’s closer ‘Brighter and Bigger’ catches a sentiment like The Dadacomputer has learned to feel emotions. He captures the loneliness of Ray Bradbury’s atomic-era sci-fi and the apocalyptic but revolutionary spirit of Godard’s Sympathy for the Devil, as in ‘Preoccupation’, the beating heart of the album, which conjures ambivalent scenes of an empty world and the comfort to be found in a shared humanity.

Emerging from the early 2000s New York synth scene, Black Marble carried on the tradition of early synthwave pioneers like Martin Dupont and Modern Art who repurposed synths once reserved for expensive studios and stadium rock superstars. Seeking to channel this spirit, Black Marble recalls the gauzy tape wow and flutter of The Membranes and the warbling VCO of Futurisk, carrying on a sound that seeks to channel the future while imprinting residue of the past.

The Pretty Reckless’ fourth full-length album, 'Death By Rock And Roll,’ is proving to be the band’s most ambitious release yet. With earliest ideas for the album tracing back to 2017, Taylor Momsen and co had to write through the heartbreaking loss of Chris Cornell, who was one of frontwoman Taylor Momsen’s musical muses. Shortly after, producer and longtime collaborator Kato Khandwala passed in a motorcycle accident. Despite the setbacks, the group pushed through the tragedy to complete the record; as soon as the band released the titular first single, they were launched into the spotlight once again. “Death By Rock And Roll” became the band’s fifth #1 song at Active Rock radio, a feat that hasn’t been accomplished by a female-fronted band. The album also features the singles “And So It Went” (featuring Tom Morello), “Only Love Can Save Me Now (featuring Matt Cameron and Kim Thayil)” and “25.” 

The Record Company have outgrown the home recording of previous records and enlisted producer Dave Sardy (Fall Out Boy, A Perfect Circle, Modest Mouse) to work with them on their third studio album, Play Loud. The result is a sonic growth both in music and in songwriting, highlighting an ever-evolving band bringing rock back to the masses.

In December of 2020, The Wild Feathers hauled off to a pre-civil war built cabin in VanLeer, TN where the ideas and songs from Alvarado met for the very first time. In the past, the band typically liked to collect all the tunes they’ve written over the past year, brainstorm, conceptualize, and rehearse isolated in a cabin before heading into the studio. This time for their 4th studio album, they decided to bring the studio to the cabin. The guys spent a week jamming and creating while having the ability to capture the performances while they were fresh. Produced by the band, Alvarado is the truest representation of The Wild Feathers to date. No outside musicians, no outside opinions, just us playing our new songs in a room with the best mics they could find.

Back in September 2020, OSEES performed a blistering set out in the desert at Pappy & Harriet’s California, which aired on the LEVITATION Sessions streaming series.  Pressed on glorious 12" swirl colored vinyl, each record includes a bonus encore 7” with the final track from the show, "Block Of Ice" pressed on Milky-Clear vinyl.

"During this particularly hard year (2020), it was a pleasure to work with our good friends over at Levitation and Pappy and Harriet's to reach out to some of our fans, if only for a fleeting hour. This is the proper plastic that came from that evening. We are trying to keep some of our favorite haunts, dives, glorious old venues and bars open through this triail, as it's obvious the lizards that make up the current administration have no real interest in extending any realistic help to struggling businesses. Take care, be well and keep your eyes on the horizon." - John Dwyer

OSEES return for another blistering LEVITATION Session, this time from the depths of a cavernous Los Angeles factory. The performance features a fresh batch of tracks spanning over a decade of the band's expansive discography with a handful of never-before-played-live tunes & some new surprises and is presented in its entirety here, pressed on a glorious Double 12" vinyl LP!

“OSEES pine for our fans and friends out there in the world, so we have come together for another stream with the mighty Levitation. I personally got stoned and stuck my face into the muck of our past catalog to bob for some dusty tumescent gems. There will be some oldies, and some moldies and some surprises along the way. I’m quite happy with how this one turned out. Shot in an insane old factory warehouse in Los Angeles (it looks like a fight scene set from Point Blank or the John Wick trilogy :) If you had told me a year ago we'd be doing these streams now i would have thought you were crazy, but, egg on my face, and here we are. I’m so glad to have this little thing to share a moment with y’all until we can meet face to face on the field of battle again. Mastered by the Guru JJ Golden, it will hopefully turn some frowns inside out and upside down....grossssss” - John Dwyer

The 11 track studio album titled 'Time Flies' will be released by Mid Century Records under exclusive license to BMG. 

Time Flies, is an extraordinary collection that fuses intimate subject matter and upbeat guitar-led rock with irresistibly catchy electronic elements. In the half decade since her acclaimed 2016 album Wild Things, Pip has gone through a personal transformation. 

Pip has openly struggled with mental health, anxiety and depression for a long time and, after dealing with severe postnatal depression + a serious skin cancer condition which has thankfully seen a full recovery, was able to successfully procure the right balance of therapy & medication which is so individually specific. When she embarked on writing songs for this new record in 2019, there was a sense of freedom in the work. “I was feeling pretty grateful to be alive and making music, so I felt like I didn’t ‘care’ anymore - not in a bad way, I just stopped overthinking it.”

Time Flies was produced with a host of incredible collaborators including, LA songwriter and producer Tommy English (K.Flay, Carly Rae Jepsen, Kacey Musgraves, Adam Lambert, Broods etc), Auckland based Josh Fountain (Leisure, Benee),  Jeremy Toy (Leonard Charles, She’s So Rad) , Sydney's Chris Stracey (Bag Raiders, Paloma Faith, Diplo.) and  Jono Sloan (Empire Of The Sun, PNAU) 

Mica Tenenbaum and Matthew Lewin began their musical journey together over 10 years ago in a Miami after-school music program. Connecting through their shared music tastes, the two formed a band that endured until the two parted ways for college. Not long afterward, Tenenbaum and Lewin reconnected and formed what we now know as the indie-pop duo Magdalena Bay.

The duo released their EP truly moments before the pandemic pervaded through North America, bringing their tour to an abrupt end. Resiliency illustrated at its peak, Magdalena Bay dipped their heads into a focused timeline, coming out of the pandemic with their debut album, Mercurial World. Magdalena Bay peruses the sound of experimental pop, crafting a synthy world that shatters genres and bends time to the pair’s will, elevating their sound to match their philosophical reflections. Lewin shared, “We spend all of our time together, and in some ways Mercurial World is about that particular sense of madness in containment. We live together and make art together; this immerses you in our creative, insular universe.”

Billy Bragg will be releasing a pandemic blues LP on 10/8 via Cooking Vinyl. This is his 10th studio album. The Million Things That Never Happened was produced by Romeo Stodart and Dave Izumi at Echo Zoo studio in Eastbourne, England. Bragg wrote the entire album solo, aside from “Ten Mysterious Photos That Can’t Be Explained,” which he co-wrote with his son Jack Valero.

To emerge from a global pandemic with a renewed sense of situational awareness, hard won insight, and a new album is the kind of move we’ve come to expect from THRICE over the last twenty years. With Horizons/East, Dustin Kensrue and his bandmates address, with candor and courage, the fragile and awkward arrangements that pass for civilization, while inviting us to dwell more knowingly within our own lives. Without surrendering any of the energy and hard edge of their previous albums, they’ve given us a profoundly meditative work which serves as a musical summons to everyday attentiveness.

Since forming THRICE with guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge in 1998, Kensrue has never been one to back down from a mental fight. This mood is set by the opening synth-driven number “Color of the Sky,” which sounds well-suited to accompany the closing credits of the Stranger Things season finale. Think Flying Lotus giving way to Elbow and setting the listener down in a new dimension. A self-recorded effort, Horizons/East conveys a palpable sense of danger, determination, and possibility.

Natalie Hemby will be performing at the Newport Folk Festival on July 24. She won a GRAMMY for Country Song of the Year for “Crowded Table,” the song she wrote with Lori McKenna and performed as a member of The Highwomen. 180-gram Clear Smoke LP. Indie Exclusive.

Colors II - Between the Buried and Me - - Fourteen years after releasing their progressive metalcore masterpiece, Colors, Between the Buried and Me have returned with it's epic sequel, Colors II.

Why Do Birds Sing? is the 5th studio album from the textbook American cult band, Violent Femmes. It was their last studio album with original drummer, Victor DeLorenzo. Featuring the fan favorite “American Music,” which reached #2 on Billboard’s Modern Rock Chart, as well as a cover of Culture Club’s “Do You Really Want To Hurt Me.” “The momentum of the song [“American Music”] and the album that spawned it provided a springboard for the band to bona fide cult status.” – Rolling Stone.

In Pond’s universe nothing stays still for long. Although no one who heard 2019’s “Tasmania” could possibly describe its pulsating psych - pop as straight, Pond wanted to try a more spontaneous way of working for their next record.

Taking a leaf out of krautrock outliers Can’s book, at the start of 2020, Pond embarked on a series of totally off-the-cuff jam sessions from which songs and ideas could be pulled out.

Given the pace at which ideas whizz past your head, it makes for a dizzying listen. Opener Song For Agnes explodes out the speakers like an intergalactic rock opera, running a synapse-tingling gauntlet through bubbling synth pop, 80s hair metal and blissed out saxophone before you know what’s hit you.

It’s an apposite curtain-raiser for an album that can encompass pounding techno (Human Touch), elastic hipped robo-funk (America’s Cup), tripped out motorik (Czech Locomotive) and acres more besides without even topping for breath. Take lead single Pink Lunettes, which opens up thumping like ESG eight hours into a session at Berghain before climbing aboard a gargantuan synthship and disappearing off over the horizon.

Lyrically, too, 9 takes Pond into uncharted territory. Allbrook’s songs here take a more impressionistic tack than before, resulting in both the hilarious one-liners within Human Touch’s gonzoid thrash (sample lyric: “she was jacking a car but she seemed quite nice so I let her use the toilet in my place”) and the social and environmental concerns of blissed out closer Toast, which addressed both last year’s bush fires and the appalling wealth divide in Allbrook’s childhood home in Western Australia.

Above all though, what you get from “9” is a sense of creative abandon and just plain fun. If it was only a fraction as enjoyable to make as it is to listen to then they must have been having a hoot.